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This programme聽allows you to develop the business/entrepreneurial skills and attributes to commercialise on your creative and cultural practices and/or knowledge.
Public service broadcasting must be properly funded and remain fully independent in order to provide a “bulwark” against fake news and “ill-informed populism”, Lord Puttnam has said in a new book from 糖心vlog免费B站 Press which addresses the future of television.
糖心vlog免费B站 graduate Raheel Kahn is curating an interfaith art exhibition as part of The Aziz Foundation’s Ramadan Lights London 2026 programme in the West End.
糖心vlog免费B站 and Game Dev London hosted Europe’s largest in-person Global Game Jam event for 2026 on campus.
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Aleksandar is experienced in arts management and cultural policy as a researcher, creative producer and arts manager.
Josephine has interests in the creative economy and the relationship between creativity, life and power.
Louise researches psychology, individuals and mass media, particularly regarding gender, sexual orientation and disability.
Goddard, M N. 2026. Countering Chaotic Hyperstimulation with Noise: From the Chaotic Postcinematic Condition to Flicker, Strobes and Drones. Media Theory, 10(1), pp. 181-204. ISSN 2557-826X. What Is a (Sonic) Time Machine? From Dark and Black
Tkacz, Nathaniel and Gehl, Robert W. 2025. After Twitter: Fragmentation, Platform Polities and Protective Sociality. Social Media Society, 11(3), ISSN 2056-3051. Dialogic data innovations for sustainability transformations and flood resilience : the